Tatiana Saliba
Good work, well told

Things people have said about organizations doing good work. None of it was in the strategic plan.

I read the whole website and still couldn't tell whether I was allowed to come.Prospective member, 34

My daughter has been three times. She talks about it the whole drive home.Parent

We do extraordinary work here. Nobody outside this building knows that.Executive director

I signed up in March. Nothing happened until June.Lapsed volunteer

It felt like walking into somebody else's family reunion.First visit, did not return

The woman who called me back is the only reason I stayed.Third-year member

We have four newsletters. I don't think anyone reads any of them.Staff, national office

I didn't know you could still do that. I thought it was a thing from my mother's time.Donor prospect, 41

I stayed because somebody remembered my name the second time.Member, 12 years

A brand is what people say when you are not in the room.

I am Tatiana Saliba. I build brand and marketing functions for organizations doing good work: the hundred-year-old membership movement with a volunteer network and a tight budget, and equally the young venture trying to put attention, wellbeing or education back into people’s hands. Different scales, same problem. The work is real and the telling is not yet worthy of it.

Who is writing this

I have spent twenty-three years moving between commercial marketing and mission-driven work, twenty-seven if you count university, when I was leading a Scout troop while working in banking, sales and insurance. The honest lesson from all of it is the same: the good work is rarely the problem. The telling is.

Right now I am Director of Communications for a national, federated, membership-based organization: dozens of local communities, a volunteer backbone, a small national office, and a brand most Canadians think they already understand. My work sits at the systems level. I build the connective infrastructure that lets a national voice and fifty local voices sound like one organization without flattening any of them.

That means brand positioning developed from evidence rather than assertion. Language tested with the people it is meant to reach instead of decided in a boardroom. Email and social programs that respect consent law and, more importantly, respect the reader. Journeys designed so the person who says yes on a Tuesday is not still waiting to hear from anyone by August.

I want to support the organizations doing good in the world, and I am one person, which is the limit on how much of that I can do directly. So the other half of the work is this: helping people who want to support the good work and do not know how, and giving the people already inside it the language and the methods to be seen. Everything here is free and meant to be used.

Currently
Director of Communications, national membership organization. Brand positioning, digital, email, creative direction, team leadership.
Background
MBA, Global Strategy (McGill). BBA, Marketing. Twenty-three years across business and non-profit management, twenty-seven including work and Scout leadership through university.
Practised in
Legacy brand repositioning, multi-channel campaigns, youth and family engagement, CASL and consent-based list practice, working with boards and volunteers.
Languages
English (fluent). French and Arabic (conversational).
Based in
Toronto.
The writing

Five things I keep having to say out loud

Brand is not a dirty word

Marketing, branding, communications: what the three words actually mean, for organizations that exist to serve rather than to sell.

Read

I have watched the temperature of a room drop over a single word. Somebody says "brand" in a meeting of people who have given decades to a cause, and you can feel the flinch. Brand sounds like a corporation. It sounds like logos and loyalty cards and something being sold to somebody. In a sector where the word "communications" is comfortable and the word "marketing" is faintly embarrassing, the vocabulary itself has become a barrier to doing the work well.

The flinch is not stupid. It is a reasonable reaction to a real thing: a great deal of commercial marketing exists to make people want what they did not want, and nobody entered this sector to do that. But the reaction has a cost. If you cannot say the words, you cannot resource the function, you cannot hire for it, and you cannot hold anyone accountable for it. Meanwhile the work happens anyway, badly, by default, in the hands of whoever is free on Thursday.

So here are the three words, defined the way I actually use them.

Brand: what people believe about you when you are not in the room

Not your logo. Not your colours. Not the sentence in your strategic plan. Your brand is the impression that lives in the head of a stranger, a lapsed volunteer, a parent at a school gate, a funder scrolling past your name. It is assembled from every contact they have ever had with you, including the ones you did not design: the sign-up form that asked too much, the person who called back, the poster from 2011 still taped to the library wall.

Which means the important thing about a brand is this: you already have one. Every organization does, whether or not anyone is looking after it. The only decision available to you is whether it is managed or accidental. Choosing not to think about brand is not modesty. It is delegating your reputation to chance and to history.

You cannot decide your brand. You can only earn it, notice it, and work on the gap between what you meant and what landed.

Marketing: making it easy for the right person to find you and say yes

The commercial world has given this word a smell of persuasion, of pushing. Strip that away and what remains is matching: knowing precisely who your work is for, understanding what stands between them and it, and removing those obstacles one at a time.

Almost everything that actually improves a small organization's marketing is unglamorous and closer to hospitality than to sales. Say plainly what you do. Say who it is for and, crucially, that they are welcome. Answer the message within a day. Do not ask for a donation before you have given anything. Make the second visit easier than the first.

If it helps, do not call it marketing at all. Call it removing the reasons someone almost came and did not. That is the same discipline, described honestly.

Communications: the craft of saying it well

This is the word the sector is comfortable with, and it is the narrowest of the three. Communications is execution: the newsletter, the post, the annual report, the press release, the words on the page. It is a genuine craft and I have spent years on it.

But here is the trap. A great many organizations have a communications function and no marketing function, and the symptom is unmistakable: enormous output, constant activity, exhausted staff, and no measurable change in who knows about you or who joins. That is what happens when the execution layer exists without the layer above it that decides who we are for, what we are trying to change, and how we will know. Communications answers "how do we say it." Marketing answers "who is it for and what should it do." Brand is the residue both of them leave behind.

A short translation

  • "We need to get the word out" is usually not an awareness problem. It is a relevance or permission problem, and more words will not fix it.
  • "We need a new website" is almost always a positioning problem wearing a design costume. New pages, same confusion.
  • "Our newsletter" is an owned audience: the most valuable marketing asset most charities have, and the one most often treated as a chore.
  • "Telling our story" is positioning plus narrative. Both are decisions, and someone has to be allowed to make them.
  • "Engagement" is not a goal. Name the behaviour you want: attend, join, volunteer, return, tell a friend.
  • "That feels too corporate" is sometimes true and worth heeding. Ask the follow-up: is it the technique that troubles us, or only the vocabulary?

The line that actually matters

There is a real distinction hiding under the discomfort, and it is not between commercial and charitable. It is between marketing that serves the person and marketing that extracts from them. The test I use is simple: in six months, will this person be glad we reached them? Manipulation fails that test. Clarity, invitation and follow-through pass it easily.

Every organization doing good work is already competing for attention, whether it has consented to that fight or not. Not against other charities, but against exhaustion, against the phone in every pocket, against the enormous professional apparatus that gets pointed at people all day long. You are allowed to be good at this. The people you serve are the ones who lose when you are not.

Your brand is not your intention

Every organization I have worked with can describe itself beautifully. Almost none of them sound like that in the mouths of the people they are trying to reach.

Read

There is a sentence that gets written in almost every non-profit strategic plan, and it goes something like: "We are a welcoming, inclusive community committed to positive change." I have written versions of it myself. It is sincere, it is accurate, and it is doing absolutely nothing.

The problem is not the words. The problem is the category error underneath them. That sentence describes an intention. A brand is not an intention. A brand is the residue left in someone's mind after every contact they have had with you: the poster, the website, the sign-up form that asked for their postal code twice, the volunteer who called back, the volunteer who did not. It is built from evidence, and most of that evidence is not produced by the communications team.

Your brand is not what you say about yourself. It is what a stranger says about you to a friend, in one sentence, without notes.

This distinction matters more in the mission-driven sector than anywhere else, because we have a specific occupational hazard. We are very close to the work. We know what it costs. We know the volunteer who drives ninety minutes each way. We know the story behind the one program that changes lives. And so we talk about ourselves in the register of people who already understand, to people who do not.

How to find out what you actually sound like

You do not need a research budget to close this gap. You need twelve conversations and the discipline to shut up during them.

  1. Pick four groups of three. Three people who joined in the last year. Three who lapsed. Three long-timers. Three who considered you and chose something else. That fourth group is the hardest to reach and the most valuable.
  2. Ask the same four questions. How did you first hear about us? What did you think we were, before you knew? What made you decide, one way or the other? If you described us to a friend, what would you say?
  3. Write down the nouns. Not the sentiment, the nouns. People reveal what category they have filed you under. Club. Charity. Church. Service. Program. Thing my mother did. That category is your real starting position, and it is often not the category you have been marketing inside.
  4. Count what repeats. When the same phrase surfaces in six of twelve interviews, that is not anecdote. That is your positioning problem, described in the exact language your audience already uses.

What to do with what you hear

Two temptations arrive immediately and both should be resisted. The first is to argue: they misunderstood us, we need to explain better. The second is to capitulate: they think we are X, so let us just be X.

The useful move is in between. Take the perception seriously as a fact about the world, then decide, deliberately, which parts you want to keep, which parts you want to correct, and which parts you have to earn your way out of. Perception you inherited from decades of good work is an asset, even when it is dated. Perception that keeps people from walking through the door is a design problem, and design problems are solvable.

One organization I worked with discovered that its biggest barrier was not awareness at all. People knew exactly who they were. They simply could not tell whether they, personally, were invited. Every dollar that had been budgeted for awareness was solving the wrong problem, brilliantly.

That is the whole discipline, really. Find out what is true outside the building. Stop treating your intentions as evidence.

The hallway, not the funnel

People arrive because of messaging. They stay because something real happens. Most marketing plans budget almost everything for the arrival.

Read

The funnel is a useful commercial metaphor and a terrible one for membership organizations. A funnel ends. You buy the thing, and the marketing has done its job. In a membership or volunteer-based organization the purchase is the least important moment in the relationship. Someone signing up is not the finish line, it is the front door, and what most of us have built behind that door is a long, quiet, unstaffed hallway.

I have come to think of the whole thing as five stages, and to insist that a marketing plan account for all five, not just the first two.

1. Before they know you

The job here is category, not persuasion. A stranger needs to know what kind of thing you are and what kind of person belongs. Notice that both of those are identity questions, not feature questions. A list of programs answers neither. A specific picture of a specific person doing a specific thing answers both at once.

2. The decision

Almost nobody decides alone. They ask a partner, a friend, a parent at pickup. Which means half of your decision-stage marketing is not aimed at the prospect at all: it is aimed at giving them something easy to forward and something defensible to say. If your best explanation of yourself takes four minutes and a good mood, they cannot carry it for you.

The other half is friction. Count the clicks between an interested person and a human response. Then count the days. Most organizations are shocked by the second number.

3. The first ninety days

This is the stage that decides your retention rate, and in most organizations it is owned by nobody. The new person has said yes. They are, briefly, more motivated than they will be at any other point. And what happens is: a confirmation email, then silence, then a general newsletter written for people who have been around for fifteen years and are already fluent in your acronyms.

The most expensive marketing you can buy is the kind that stops at the door.

A first ninety days sequence does not need to be sophisticated. It needs to do four things: tell them what happens next and when, name one specific human they can contact, give them one small thing to do that is genuinely useful, and get them into a room with other people before the initial motivation decays. Three emails and one phone call, sent on a schedule, will outperform a rebrand.

4. Belonging

You cannot email someone into belonging. What communications can do is engineer the conditions: make sure people are named, make sure their contribution is visible to others, make sure the second visit is easier than the first. In practice this is often as small as a volunteer coordinator knowing who came last week. That is an operations problem that communications can solve with data, and it moves retention more than any campaign.

5. Voice

The last stage is the one that pays for the first. Members who feel they belong will describe you to strangers, and their sentence is worth more than your sentence. Give them the raw material: photographs they are allowed to use, a line they can say without embarrassment, a reason to post that is about their experience rather than your logo.

The test

Take your annual marketing budget and sort it by stage. If more than seventy percent sits in stages one and two, you are not running a membership marketing program. You are running an acquisition program attached to a leaky building, and you will spend the rest of your career refilling it.

Finding your voice when you do not have a brand book

Most organizations do not need a hundred-page identity system. They need eight decisions written down and a way to test the words that are quietly costing them people.

Read

I have worked inside organizations with no brand book, no style guide, no approved palette, and a logo that exists in five slightly different versions depending on which volunteer had InDesign in 2014. This is the normal condition of the sector, and it is not, on its own, a crisis. A brand book is a useful artifact. It is not where voice comes from.

Voice comes from a small number of decisions, made deliberately, written down, and then actually enforced. You can draft them in an afternoon.

The eight decisions

  • Who are we talking to, by default? Not "everyone." Name the person. If a piece of copy would confuse her, it is wrong, regardless of who else it pleases.
  • What do we call ourselves in the first sentence? The category noun. Get this wrong and nothing downstream can rescue it.
  • What do we call the people involved? Members, participants, volunteers, leaders, families, girls, youth. These words carry enormous freight and are usually inherited rather than chosen.
  • How formal are we? Pick a register and give an example of a sentence that is one notch too stiff and one notch too casual.
  • What do we never say? The banned list is more useful than the approved list. Jargon, internal acronyms, euphemism, anything that assumes the reader was at the last meeting.
  • Do we lead with the person or the organization? Almost always the person. Write the rule down anyway, because the pressure to lead with the organization is constant and comes from above.
  • How do we handle the legacy? Every long-standing organization has language from an earlier era. Decide which parts are heritage worth carrying and which parts are a barrier, and be specific about both.
  • Who decides? One named person breaks ties. Voice dies by committee, quietly and with everyone's approval.

Then test the words that matter

Here is the part most organizations skip. The three or four words that carry the most weight in your communications are usually the words nobody has ever tested, because they feel too fundamental to question. They are exactly the ones to question.

Insiders and outsiders hear the same word differently, and the gap is invisible from inside. A word can mean warmth, tradition and belonging to a twenty-year member, and mean closed, dated or not-for-me to the thirty-four-year-old you are trying to reach. Both readings are real. Only one of them is in the room when the copy gets approved.

A cheap test protocol, in order of cost:

  1. Subject line tests. You already have an email list. Run the same content under two framings, four to six times, and watch the pattern rather than any single result. This costs nothing and produces evidence you can bring to a board.
  2. Landing page variants. Same offer, different category noun, different first sentence. Measure the action, not the click.
  3. Five-second tests with strangers. Show a page for five seconds, then ask what the organization does and who it is for. Recruit outside your networks. People who like you are useless for this.
  4. Paid social, small budget. A few hundred dollars buys a genuinely useful read on which framing earns attention from cold audiences.
Test the language, do not assume it. The words you are most confident about are the ones carrying the most unexamined risk.

A note on courage

Testing language in a legacy organization is politically delicate, because the words are often bound up with people's sense of who they are. The way through is to separate two questions that get fused: what we value, and what we call it. You are not proposing to change the first. You are proposing to find out whether the second is doing its job. Framed that way, I have almost never had a board refuse.

The one-person marketing department

If comms at your organization is one person, or half a person, most best-practice advice is actively harmful. Here is the sequence that works instead.

Read

The typical Canadian charity does not have a marketing team. It has a person, often with three other portfolios, executing a plan designed for a department. The result is a thin layer of activity spread across seven channels, none of which is good enough to work, and a slow accumulation of guilt about the ones being neglected.

The fix is not efficiency. It is sequence and subtraction.

Own the list before you rent an audience

Social platforms rent you access to people on terms they change without warning. An email list is an asset you own. If you have limited hours, the highest-return work is almost always: grow the list, clean the list, segment the list, and write to it like a person rather than an institution.

In Canada this is also a legal position, not just a strategic one. Consent under CASL, and the privacy obligations under PIPEDA and its provincial equivalents, are usually handled as a compliance chore. Treated properly they are a trust practice: knowing exactly how each contact arrived, what they agreed to, and how to leave. Organizations that keep a clean, consented, well-documented list are not just safer. They get better open rates, because everyone on the list actually asked to be there.

Pick two channels and be genuinely good at them

Two. Chosen because that is where your specific audience already is, not because a peer organization is there. Everything else gets an honest holding pattern: a profile that exists, is accurate, and points somewhere useful. Announce the retreat internally so it reads as a decision rather than a failure.

Build systems, not posts

A one-person department cannot out-produce anyone. It can out-organize them. Concretely:

  • A repeatable content structure so no one starts from a blank page.
  • A shared calendar that everyone can see, which prevents the Thursday afternoon urgent request more effectively than any policy.
  • Templates: for the newsletter, the event announcement, the volunteer callout. Design once, use fifty times.
  • A request intake form. Not to be bureaucratic, but so that "can you just" arrives with a deadline, an audience and an owner attached.

Turn the network into a newsroom

The great advantage of a federated organization is that the stories are already happening, in fifty places, without you. What is missing is the pipeline. Give local leaders a two-minute way to send you something: a form with three fields and a photo upload. Then, and this is the part that determines whether it survives, publish what they send within a week and tell them you did. A contribution loop that produces visible results within days will keep producing. One that disappears into a national office will stop within a month.

Measure three things, not thirty

Pick one measure per stage and report the same three every month: reach into the right audience, conversion to a first action, retention past ninety days. A board can hold three numbers in mind and notice when they move. A dashboard with thirty metrics communicates activity, not progress, and it is the easiest way to be busy for a year without being able to say what changed.

Say the quiet part to leadership

The last piece is not tactical. If you are the only person doing this work, part of your job is to make the trade-offs visible to the people above you. Not as complaint, as choice architecture: here is what we can do well with the hours available, here is what we are choosing not to do, here is what the second pair of hands would buy. Leaders make bad staffing decisions in the absence of that information, and communications people are often too conscientious to provide it.

Method

What I do in the first ninety days, anywhere

Days 1 to 30

Listen on the record

Structured conversations with staff, volunteers, local leaders, recent joiners and, critically, people who considered the organization and went elsewhere. The output is not a report. It is the actual sentences people use, sorted.

Days 31 to 60

Find the real gap

Compare what the organization believes about itself with what the evidence says. Name the one gap that, if closed, moves the most: usually awareness, relevance, permission to belong, or the hallway behind the front door.

Days 61 to 90

Ship something visible

One positioning direction to test, one journey fixed end to end, one measure everyone agrees to watch. Credibility in a new function is built by finishing something small in public, not by presenting a framework.

An invitation

If you are good at this, the sector needs you more than it can afford you

A note to marketers, brand strategists, designers, analysts and communicators working in the commercial world: the organizations doing the most durable good in this country are, almost without exception, operating with marketing capacity that would embarrass your employer. That is not a guilt trip. It is an opportunity that most people in our field never seriously look at, because they assume the only way in is to take a pay cut.

There are five ways in, and only one of them requires that. Here they are, in order of depth, with honest estimates of what each actually costs you.

Lightest

Volunteer a skill, not a Saturday

Charities are excellent at recruiting hands and poor at recruiting expertise. The offer that gets accepted is specific: I will audit your email programme, I will rewrite your donation page, I will teach your staff to read their own analytics. Name the deliverable and the end date.

2 to 4 hoursper month
Light

Advise one person, regularly

Find the one staff member carrying communications alone and give them a standing monthly call. No deliverables, no deck. Somebody senior to think out loud with is the single scarcest resource in a small non-profit, and it is the cheapest thing you have to give.

1 to 2 hoursper month
Medium

Consult on a defined project

Paid or pro bono, but scoped like real work: a brief, a budget, a decision-maker, an end. Beware the drive-by rebrand. A logo delivered to an organization with no capacity to implement it is a gift that costs them money. Ask what they can sustain after you leave, and build to that.

20 to 60 hoursover a quarter
Serious

Sit on a board

Boards are thick with finance, law and fundraising, and thin on marketing judgment, which is why so many strategic plans contain a communications section written by people who do not do communications. Go in knowing the real commitment: it is not four meetings a year once you count committee work, reading, and the calls between.

8 to 12 hoursper month
Whole

Take the job

The work is harder than agency work, with fewer resources and more stakeholders, and the constraint is the point: you cannot buy your way out of a weak proposition, so you have to actually be good. What you get in return is a direct line between the sentence you wrote and something changing in a person's life. Nothing in the commercial sector matches that, and most people who cross over do not go back.

All of themand worth it

How to be useful rather than decorative

The longer version: what non-profits actually need from commercial marketers, what goes wrong when well-meaning professionals arrive, and how to make an offer that gets accepted.

Read

I have been on both sides of this exchange: the marketer offering help, and the staff member receiving it. Both roles taught me the same thing, which is that generosity in our field frequently misfires, and it misfires in predictable ways.

What goes wrong

The offer is too vague to accept. "Let me know if I can help" transfers the entire cognitive load to the person who is already underwater. They will not follow up. They are not being rude; they do not have the twenty minutes it would take to scope your help. Make a specific, small, time-boxed offer instead.

The solution is imported whole. A framework built for a company with a media budget and eight-person team does not survive contact with an organization where the same person writes the newsletter and books the venue. The skill is not the framework. It is knowing which two-thirds of it to throw away.

The deliverable outlives the capacity. This is the most common and the most damaging. A beautiful new identity, a sophisticated automation, a content strategy requiring three posts a week. Six months after the volunteer leaves, none of it is running, and the staff carry a quiet sense of failure about a gift they did not ask for. Always design to the capacity that will exist after you go.

The status gradient goes unmanaged. Arriving from a larger, better-resourced organization carries an implicit authority that can flatten the judgment of people who know their community far better than you do. They have usually already thought of your idea and have a reason it did not work. Ask for that reason first.

What they actually need

  • Judgment on sequence. Not more ideas. Fewer, in the right order. Most small organizations are drowning in ideas and starved of prioritization.
  • Permission to stop things. An outside voice saying "you can close that channel" is worth more than it should be, because internally nobody can say it without appearing to give up.
  • Translation for the board. Turning marketing reality into the language of governance and risk. Many good plans die because nobody made them legible to the people approving them.
  • Craft on the few things that carry the load. The donation page. The welcome sequence. The one-sentence description of what the organization is. Excellence on three artifacts beats adequacy on thirty.
  • Someone who has seen it work. A great deal of the value you bring is simply having watched a thing succeed before, and being able to say so with conviction when the room is nervous.

How to make the offer

Write to a named person, not an info address. Say what you do, name one specific thing you noticed, and offer one bounded piece of work with a date attached. Something like: I do lifecycle email for a living, I noticed your sign-up confirmation is the last message a new supporter receives, and I would be glad to draft a three-message welcome sequence for you in September if that would be useful.

That message gets answered. Almost every time.

Why bother

Because the causes are not competing with each other for attention. They are competing with entertainment, with exhaustion, with the algorithmic pull of the phone in every pocket. The organizations that hold communities together, that give young people somewhere to belong, that keep elders from disappearing from public life, are fighting that fight with a fraction of the craft that gets deployed daily to sell moisturizer.

We know how to move people. It is worth being deliberate about what we move them toward.